City clubs with portraits on the wall. Museum courtyards and curated libraries. Tents on family lawns. The ferries, islands, and coastlines that evoke tradition. Her work sits comfortably in these worlds because she’s lived in them for years - reading light, dress codes, and dynamics with the same ease that she handles her cameras.
City clubs with portraits on the wall. Museum courtyards and curated libraries. Tents on family lawns. The ferries, islands, and coastlines that evoke tradition. Her work sits comfortably in these worlds because she’s lived in them for years - reading light, dress codes, and dynamics with the same ease that she handles her cameras.
Before weddings, Charlotte worked as a Manhattan still-life photographer, creating campaigns for editorial spreads, lifestyle brands, and discerning clients that expected absolute precision. A real-world education in light, color, and composition. In making objects and spaces look exactly as they should.
Film is her first choice, supported seamlessly by digital, so the final edit feels cohesive and enduring, never trendy. She has been recognized by Harper’s Bazaar, Martha Stewart Weddings, and editors who trade in high standards. The résumé is there for those who look for it, but it’s never the point of your day.
The resulting images are film-led, edited with restraint, and shaped by place, people, and atmosphere. They are designed to feel entirely like the couple, to sit easily alongside family photographs from other decades, and to hold up to the kind of scrutiny her clients are used to applying everywhere else in their lives.
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"She is unbelievably talented, using both film & digital mediums to capture the most amazing & authentic moments. She is truly the best in the industry."